Intersection of the animal realm and the human landscape

The work of Portland-based artist Josh Keyes is unique and eerily fascinating. His paintings bring animals into a human landscape, perhaps after being driven out of their native habitat. However this landscape isn’t a fairy tale, it’s gritty and futuristic. In this future it feels as though the humans have abandoned the cities and left the creatures to fend for themselves, to adapt in this foreign landscape. Some biographical text from his website:

Alternately passionate and playful, outraged and absurd, the artwork of Josh Keyes is memorable both for its resonant imagery and the haunting themes those images convey. Vividly imagined and exquisitely realized, his work is at once highly personal and very much of its time. While it spans a variety of approaches, Keyes’ overall subject matter remains consistent, evincing a fascination with the intersection of the animal realm and the built human landscape, and the imperiled role of wilderness in a rapidly changing global environment.

  

Perhaps these pictures aren’t really all about animals but about the conflict between nature and society within our own human consciousness. Keyes’ images, in their way, suggest that the division between an intricately self-absorbed society and the connection to nature within us is an artificial one that can no longer be sustained. One can read his work as a plea to let the natural collective consciousness within us emerge, to find a balance within ourselves that contains a place for the other creatures of this planet, with whom we are more connected and co-dependent than we may care to admit.

Keyes’ artworks are neither optimistic nor nihilistic. If anything, they seem to hover between fear and fury, between sorrow and acceptance. But they do contain a level of urgency, addressing such exigent issues as the extinction of species and the emergence of a new global topography. In grafting a dreamlike pictorial language to a passionate ecological concern, he has not only carved out a fertile chunk of postmodern art world territory, but found his own bully pulpit, and catharsis.

Credit: inspirationwall